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Re: Cross-fertilization of Jewish and non-Jewish music
- From: richard_wolpoe <richard_wolpoe...>
- Subject: Re: Cross-fertilization of Jewish and non-Jewish music
- Date: Mon 28 Dec 1998 16.52 (GMT)
I believe Idelson discusses the origins of Jewish liturgical music.
Just as a general rule, it is often the case that the jewish litrugy aand the
Xtian liturgy BOTH adapted from common folk melodies rather than directly from
each other.
EG the traditional Maoz Tsur melody is also used as a Lutheran hymn. The most
likely explanation is that both Jews and Lutherans adapted their respective
meoldies from a popular German marching song, rahter than from one another.
Regards,
Rich Wolpoe
______________________________ Reply Separator _________________________________
Subject: Cross-fertilization of Jewish and non-Jewish music
Author: <jewish-music (at) shamash(dot)org> at Tcpgate
Date: 12/27/98 5:39 PM
Is there any material (e.g., books, articles, dissertations,
discographies) on Jewish musical themes in classical music, especially
the less obvious compositions? I do think that I saw something in the
Jewish Theological Seminary collection of dissertations from the
Cantorial School, but it was basically on the more obvious
copositions, e.g., Bloch.
I would also be especially interested in material on the use of
non-Jewish themes, popular or classical, in Jewish liturgical music
(besides the Aleinu tunes and Adon Olam settings to popular song).
Bob