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Re: Partch (off topic)
- From: Seth Austen <klezmusic...>
- Subject: Re: Partch (off topic)
- Date: Thu 13 Mar 2003 19.56 (GMT)
on 3/13/03 10:58 AM, Alex Lubet at lubet001 (at) umn(dot)edu wrote:
> I don't actually think you're disagreeing with me at all. Everyone who
> records for CRI has to cover costs, which isn't unusual for a classical
> label, but it's still refereed, in that one still must be chosen. I
> wouldn't be surprised if his self-production was financed by grants. I'd
> also venture that a loyal following who loves his work enough to play for
> free is an indication that he transcended obscurity in his lifetime, like
> having a Guggenheim or a major professorship.
The impression I got from his biography was of obscurity for much of his
life, despite the Guggenheim or occasional fellowships. At one point in the
book, it talks of him finally getting a fellowship, besides a tiny office in
a University basement, he had little or no support from the institution,
major financial undertaking from his own pocket to ship his instruments to
the campus, getting axed after a year, etc. Perhaps it's just the normal
treatment for any composer! I wouldn't know, having never held a university
teaching position.
Seth
--
Seth Austen
http://www.sethausten.com
email: seth (at) sethausten(dot)com
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- Re: Yes! Judaism: A HEADNOTE, (continued)
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