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Hi Irwin, You might be interested in the article I've circulated for the last 10 years (not formally "published" in magazine, though portions of it have been quoted in books). I attach it both in WP and MSW (3 versions, electronically, altogether). Let me know if you can't open any, and if you can, any comments. Shanah Tovah, Jonathan At 07:13 PM 9/10/02 +0200, you wrote: > > I myself enjoy listening to Joseph Malovany at the > > 5th avenue synagogue (e. 62, btwn Fifth and Madison), > > but I don't know that much about traditional nusach. > >While Malovany is certainly a gifted singer, he's at >his best on stage accompanied by a big symphony >orchestra. I'd say he's more a concert cantor than a >ba'al tefilah. > > > The Orthodox Chazzanim I have spoken with tell me > > that everybody wants Carlbach, period. I wonder if > > that is true. > >Well, it is true. Probably 80% of the Orthodox public >prefers a Carlebach style service with heavy emphasis >on unison community singing. And in Reform circles, >they prefer to sing school camp music in the style of >Debbie Friedman, accompanied by a guitar. > >Recently, Samuel Adler created quite some commotion, by >daring to write the following in a Reform quarterly: > >"Our religious establishment has joyfully embraced the >sound and the spirit of popular culture, and the >musical sounds pouring forth from our pulpits are >either Chasidic ditties, written for people who are >musically illiterate, or pop-sounding songs written by >musical amateurs to make our congregants feel 'warm' >rather than get the spiritual high that would result if >they were ever confronted with great music." > > >Gemar Chatimah Tovah, > > Irwin Oppenheim > i(dot)oppenheim (at) xs4all(dot)nl > www.xs4all.nl/~danio/chazzanut/ > >---------------------- jewish-music (at) shamash(dot)org ---------------------+ >
NUSACH-ART.doc
Description: MS-Word document
NUSACH-ART-MSWord.doc
Description: MS-Word document
Reclaiming Lost Heritage.doc
Description: MS-Word document
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