Re: '"Empezar Ouiero Contar" Canciones Sefarad'

[Lori Cahan-Simon <l_cahan...>]

Ouch!  I didn't check for typos!  *Sounds* wonderful.  Probaby so good it hurts,
I guess.  ;-)
Lorele

Lori Cahan-Simon wrote:

> Reyzl, thanks for letting us know.  Judith, I'm sure we are all eagerly
> awaiting our own copies.  It wounds wonderful!
> con carin~o,
> Lorele
>
> Reyzl Kalifowicz-Waletzky wrote:
>
> > While one or two people falsify their achievements, too many members here
> > are afraid to share their own achievements on this list for fear that they
> > will be tooting their own horn.  Not fair to everyone else, I say.  I found
> > this on the Sepharad mailing list about our own Judith Cohen.  You should
> > have told us Judith.  A yasher koakh!!!
> >
> > Reyzl Kalifowicz-Waletzky
> >
> > ------------------FORWARD----------------------
> > From:  Yitzchak Kerem [SMTP:ykerem (at) actcom(dot)co(dot)il]
> > Sent:  Wednesday, April 18, 2001 7:06 PM
> > To:  Sefardic Electronic Archive
> > Subject:  sea10.3.3
> >
> > Sefarad, the Sephardic Newsletter
> > Volume 10 Number 3, Part III (SEA10.3.3)
> > March 2001
> >
> > ************MUSIC************************
> >
> > Judith R. Cohen, Eduardo Paniagua, Tamar Ilana Cohen Adams, Wasir Sheik,
> > and David Mayoral, '"Empezar Ouiero Contar" Canciones Sefarad'. Produced
> > by Eduardo Paniagua, Pneuma, 2000.
> > Distribution: Karonte, Alfonso XIII 141, 28016 Madrid, Spain. Tel:
> > 34913458626
> > FAX: 34.913503358 karonte (at) global(dot)net
> > The talented musicologist Judith Cohen has produced another valuable
> > Sephardic musical production. Her daughter Tamar has a special voice and
> > Eduardo Paniagua, on the kanoun and other percussion instruments adds a
> > touch of classical Spain and medieval Sephardic musical flavor. The
> > accompanying pamphlet explains terms like Ladino and its orthography,
> > presents rare Galaico Portuguese music as well as Sabbath classics like
> > Dror Yikra composed by the 10th century Jewish Spanish poet Dunash ibn
> > Labrat. Cohen also presents works musicologists like Shoshana Weich
> > Shahak, as well as examples of Spanish Moroccan music initially
> > introduced by  Henriette Azen, & Hannah Pimienta. Another valuable
> > contribution is the fruits of Judith's research in recent years from the
> > Tras-os-Montes region of Portugal; where the remaining traces of
> > crypto-Judaism have been witnessed. Music is also presented from
> > Bulgaria and Salonika. Judith had the fortune of recording Buena
> > Sarfatty Garfinkle, a Salonika Holocaust survivor who resided in
> > Montreal and has left valuable examples of Sephardic musical tradition.
> > The tape is recommended for all those who appreciate medieval and
> > traditional Sephardic music.
> >
>

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