Re: '"Empezar Ouiero Contar" Canciones Sefarad'

[Lori Cahan-Simon <l_cahan...>]

Reyzl, thanks for letting us know.  Judith, I'm sure we are all eagerly
awaiting our own copies.  It wounds wonderful!
con carin~o,
Lorele

Reyzl Kalifowicz-Waletzky wrote:

> While one or two people falsify their achievements, too many members here
> are afraid to share their own achievements on this list for fear that they
> will be tooting their own horn.  Not fair to everyone else, I say.  I found
> this on the Sepharad mailing list about our own Judith Cohen.  You should
> have told us Judith.  A yasher koakh!!!
>
> Reyzl Kalifowicz-Waletzky
>
> ------------------FORWARD----------------------
> From:  Yitzchak Kerem [SMTP:ykerem (at) actcom(dot)co(dot)il]
> Sent:  Wednesday, April 18, 2001 7:06 PM
> To:  Sefardic Electronic Archive
> Subject:  sea10.3.3
>
> Sefarad, the Sephardic Newsletter
> Volume 10 Number 3, Part III (SEA10.3.3)
> March 2001
>
> ************MUSIC************************
>
> Judith R. Cohen, Eduardo Paniagua, Tamar Ilana Cohen Adams, Wasir Sheik,
> and David Mayoral, '"Empezar Ouiero Contar" Canciones Sefarad'. Produced
> by Eduardo Paniagua, Pneuma, 2000.
> Distribution: Karonte, Alfonso XIII 141, 28016 Madrid, Spain. Tel:
> 34913458626
> FAX: 34.913503358 karonte (at) global(dot)net
> The talented musicologist Judith Cohen has produced another valuable
> Sephardic musical production. Her daughter Tamar has a special voice and
> Eduardo Paniagua, on the kanoun and other percussion instruments adds a
> touch of classical Spain and medieval Sephardic musical flavor. The
> accompanying pamphlet explains terms like Ladino and its orthography,
> presents rare Galaico Portuguese music as well as Sabbath classics like
> Dror Yikra composed by the 10th century Jewish Spanish poet Dunash ibn
> Labrat. Cohen also presents works musicologists like Shoshana Weich
> Shahak, as well as examples of Spanish Moroccan music initially
> introduced by  Henriette Azen, & Hannah Pimienta. Another valuable
> contribution is the fruits of Judith's research in recent years from the
> Tras-os-Montes region of Portugal; where the remaining traces of
> crypto-Judaism have been witnessed. Music is also presented from
> Bulgaria and Salonika. Judith had the fortune of recording Buena
> Sarfatty Garfinkle, a Salonika Holocaust survivor who resided in
> Montreal and has left valuable examples of Sephardic musical tradition.
> The tape is recommended for all those who appreciate medieval and
> traditional Sephardic music.
>

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