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Re: Adon Olom--and borrowing melodies generally



Dear Suzanne Peters:  I asked a while ago if you were serious (OK, maybe 
I'm being clueless here--definitely have more than a streak of 
that)--and would really like to know.  (Ref. is to your Jewish take on 
"She'll Be Coming Round the Mountain.")  Can you advise? Thx. 


>From owner-jewish-music (at) shamash(dot)org Thu Feb  4 11:39:25 1999
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>Date: Thu, 4 Feb 1999 14:31:19 EST
>To: World music from a Jewish slant. <jewish-music (at) shamash(dot)org>
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>Subject: Re: Adon Olom--and borrowing melodies generally
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><< But I can't see how "She'll be Coming Round the Mountain" invests 
"Adon
>Olam" with _any_ spiritual emotion or  overtone whatsoever--joyful or
>contemplative,  outwardly exuberant or  inwardly devotional--and that's 
what a
>good setting, original or  borrowed, should do. >>
>
>Actually "She'll be Coming Round the Mountain" is prefect for "L'cha 
Dodi".In
>fact i heard a story that "She'll be Coming Round the Mountain" is 
really
>written by someone Jewish and is all about Shabbat. The "she" is the
>shechineh, the shabbas bride . The "six white horses" are the days of 
the week
>before Shabbas. "we'll go down to meet her" refers to going to greet 
the
>Shabbas bride. And "oh we'll all have chicken and dumplings(kneidle)" 
is of
>course the Shabbas meal.
>
>l'shalom,
>Suzanne H. Peters
>
>
>


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