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jewish-music
Re: Hebrew Stress
- From: Susan Lerner <meydele...>
- Subject: Re: Hebrew Stress
- Date: Wed 17 Apr 2002 07.44 (GMT)
Here's a further posting from the H-Judaica list on this topic that I thought
might be of interest to this list:
From: Boaz Tarsi <tarsi (at) earthlink(dot)net>
Subject: Re: Hebrew accents in liturgical music
The problem of Ashkenazi-versus-Modern Hebrew pronunciation in the synagogue
is multi-layered and multi-faceted. I have just written a paper about this
topic - primarily from an analytical stance rather than a history-oriented
outlook. I also bring a few possible solutions for such adjustments, when
they are needed, and when they may not necessarily be of value, etc.
The accoustical phenomenon of what constitutes an accent in speech and in
singing is also not as obvious or simple as it initially seems. In
addition, Modern Hebrew, especially sung Modern Hebrew, is somewhat more
flexible and tolerant of the placement of the accent than what our common
perception interprets.
Finally, I believe that the term Sepharadi is not completely appropriate to
describe current Israeli parlance. It does follow the accentuation of the
Sepharadi pronunciation but it does not adhere to many other aspects of
these modes of speech. In addition, "Sepharadi" itself encompasses a
variety of accents and pronunciations that differ greatly.
All of this as well as several other related components of this phenomenon
are discussed in this paper, which, to my best estimate, is going to be
published in the next issue of The Journal of Synagogue Music.
Boaz Tarsi
Jewish Theolgocial Seminary
---------------------- jewish-music (at) shamash(dot)org ---------------------+
- Re: Hebrew Stress,
Susan Lerner