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jewish-music
Re: gilded script on the inlay
- From: Marvin <physchem...>
- Subject: Re: gilded script on the inlay
- Date: Thu 17 Jan 2002 14.12 (GMT)
----- Original Message -----
From: "Lori Cahan-Simon" <l_cahan (at) staff(dot)chuh(dot)org>
To: "World music from a Jewish slant" <jewish-music (at) shamash(dot)org>
Sent: Wednesday, January 16, 2002 11:24 AM
Subject: Re: gilded script on the inlay
> You know, Josh, since you bring this up, I don't feel it invalidates the
> artwork, but nonetheless I am annoyed at the horns. It's just plain
> wrong. It has helped propogate the idea of Jews as different, as
> demons, doing horrible things. My father told me that when he was
> stationed at Indiantown Gap, PA, during the Korean War some other
> soldier said to him upon learning he was a Jew, "But where are your
> horns?" Not humorously. He was genuinely perplexed. So, the artwork
> itself may be great, but the misinterpretation ruins a part of it for
> some people, either the subject or the audience.
> Lorele
>
I had a similar incident. I was wounded on Leyte and sent to a hospital on
New Guinea. In a troop ship on the way back to my unit on Leyte, I happened
to pass a group of soldiers clustered around one in the middle, who I heard
say (in a Southern accent), "There are no Jews in the infantry." I
immediately turned back to the group and announced, "I'm a Jew, and I'm in
the infantry." He said, "You're not a Jew. You don't have horns." With
nothing left to discuss, I went after him with my fists. The fight was
broken up before anyone got hurt, but I thought I made my point.
It was the only antisemitism I encountered in the Army. In a combat unit,
people get along because they have to depend on each other.
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