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Re:trance/funk.But the modes and cadences of cantoral and klez.
- From: Klezcorner <Klezcorner...>
- Subject: Re:trance/funk.But the modes and cadences of cantoral and klez.
- Date: Mon 15 Dec 2003 01.37 (GMT)
In a message dated 12/14/3 4:03:19 PM, zelwel (at) comcast(dot)net writes:
<< >Still, I see the future of JM looking toward the dance floor if it
> wants to be relevant in the market place, deep groove , trance/funk.But
with
> the modes and cadences of cantoral and klez.
You think there exists at this point good examples of this?
>>
Hey Eli, glad you asked.
About 3 years ago, I made a posting about a then new CD "Shema Yisrael - The
Cantorial Project: Ethno Ambient". Produced by Arik Rudick, who had a smash
album "Sattala",in Israel in early 70s using various synthesizers.
On the"Shema Israel' CD, he created new "electronic" music specifically for
classic Cantorial recordings by Kwartin, Glantz, Kapov-Kagan, Rosenblatt,
Chagy, etc.
Unlike recordings that sample cantorial records INTO new music, this music
was composed specifically for the actual contorial recording. A somewhat
similar recording, "Covenant" was released about the same time, but I don't
think it
was nearly as good. It sounded las if the Cantorial was sampled INTO the
music.
Though I thought "Shema Israel" was a good recording, it had no market at
that time. About 6 months ago, one of the students at a local Yeshiva bought
one
for a party "sight" unheard, and now everybody in his class has purchased this
disc....an overnight hit...after 3 years.
Simon
Hatikvah Music
323) 655-7083
---------------------- jewish-music (at) shamash(dot)org ---------------------+
- Re:trance/funk.But the modes and cadences of cantoral and klez.,
Klezcorner