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RE: kol isha at Orthodox shuls
- From: Reyzl Kalifowicz-Waletzky <reyzl...>
- Subject: RE: kol isha at Orthodox shuls
- Date: Wed 28 Feb 2001 23.02 (GMT)
Robert,
I have no idea what previous things you are referring to and am also not
completely sure what you are referring to here. I know that I have never
written about Neshama Carlach on this list until this present thread.
I know very well that Neshama has had concerts at the Carlbach shul and at
Lincoln Square Synagogue, but what I am not sure about is what the
conditions for those concerts were. That is why I wrote "probably". Since
I didn't go to those concerts or know anyone who did, I don't know if she
sang before completely mixed audiences at these events and thus can not say
so. I imagined that she _probably_ had a mixed audience at the Carlbach
shul, but I have no idea what happened at Lincoln Sq. or other Orthodox
shuls.
Because Shlomo was so successful in bringing so many people to Orthodoxy,
rabbis and synagogues would like to perpetuate the Carlbach effect, perhaps
even a Carlbach dynasty. But, I think that they are not quite sure how to
handle Neshama the singer. Neshama is successful at getting press to cover
her vocal complaints about synagogues not inviting her to perform. There
are an awful lot of Shlomo fans at Lincoln Square and elsewhere. Rejecting
her may be perceived as a rejection of Shlomo and Shlomo's legacy,
something that would very much anger a lot of people. It could cause a
backlash and that could be halakhically problematic. This is why I wrote
that Neshama is positioned to play a pivotal role in getting kol isha
changed, whether the feminist legal scholars succeed on their own or not
(having nothing to do with the merits of their argumentation.) What I
don't know is did the Lincoln Sq. Synagogue and other non-Carlbach
synagogues decide to advertise her concerts without any commentary (I
remember that they did), but figured that the Orthodox men would themselves
know not to go? Did they advertise the concert without commentary, but
then started a hushed word-of-mouth campaign that this should be a women's
only concert? Hushed word of mouth campaigns happen all the time in
Orthodox communities. Did a lot of Orthodox men go to these concerts? I
don't know the answers to these questions. You are the first person I know
who went. Please tell us.
I went to one seyder at the Carlbach shul I think in '96 and saw the
phenomenal respect Shlomo's Carlbach's followers gave his divorced wife and
daughters. In these dynastic courts, women can gain great powers if no son
is available to take over the leadership. We, in fact, have an example of
that right now in the Williamsburg Satmar community (as opposed to the
upstate Satmar community), where the old (childless) rebbe's widow is given
much deference and power. Neshama's mother gave a dvar (=torah commentary)
and then she asked Neshama to speak. After giving her dvar, Neshama
announced that she would like to sing two of her father's nigunim as a way
"of keeping his presence alive" in this very mixed seating, family-like
event. I remember some hushed voices at that point, but rather subdued
hushed voices. I could not tell if getting Neshama to sing was Neila
(isn't that her name?) Carlbach's manipulation for her daughter's sake or
Neshama's own risk-taking. The rabbi thanked Neshama for her dvar and
singing, but I don't know how many congregants accepted a woman singing.
Since this was my first and last time at such an event, (and I am not a
Carlbach family fan), I have not followed what happened when she wanted to
perform a whole concert of HER OWN compositions. (The articles I read
about her didn't quite tell me.) That is why I wrote in my post
>But I don't know how they work it out there or >at the Brooklyn Carlbach
shul.
That same Rabbi Samuel Intrater recently resigned from the Carlbach shul
and I have no idea why. Does Neshama's singing and the loosening of kol
isha rulings have something to do with this? I don't have a clue, but it
is possible.
>Shlomo *wanted* his daughter to sing!!! -- and trained her to (read an
>audience, etc.)
This I know. In fact, she told us this at the seyder, I guess as a preface
to her breaking the kol isha ruling. But how many Carlbach hasidim or
other Orthodox men accept Shlomo's persective on this is not clear to me.
I no longer find myself in these circles. I taught at Lincoln Synagogue
for 8 years, many years ago now.
Reyzl
----------
From: Robert Cohen [SMTP:rlcm17 (at) hotmail(dot)com]
Sent: Tuesday, February 27, 2001 8:18 PM
To: World music from a Jewish slant
Subject: RE: kol isha at Orthodox shuls
As I just posted a while ago (sorry for the repetition), this is *not*
correct--and Reyzl, ddear, I *told* you it wasn't correct a while ago! At
least not as far as singing in concert.
The Carlebach shul isn't a "probably" (unless recent, possibly ominous
changes bespeak further ... ominousness), and there's at least one other
and
probably more. I've *heard* Neshama a the Carlebach shul and at Lincoln
Square.
Shlomo *wanted* his daughter to sing!!! -- and trained her to (read an
audience, etc.)
Sorry, again, for repetitiveness--am reviewing zillions of messages.
--Robert Cohen
>***ALL*** Orthodox shuls around the world, except probably Carlbach's shul
>in NYC, only because of his daughter Neshama insistance that her singing
>transcends kol isha issues. But I don't know how they work it out there
or
>at the Brooklyn Carlbach shul. Shlomo prepared his congregation to look
>beyond this issue, probably knowing that his daughter would want to sing.
>
>Reyzl
>In any case, how does one know "events/places that have [observe a
>prohibition against] Kol Isha"? Is it so at all Orthodox shuls?
>Where else? Are there telltale hints? Is there a list? Do you
>propose that there be one? Or that we ask anyone who announces a
>program at such a place to identify it as such a place?
>
>Bob
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