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Re: Moni Ovadia
- From: Jacob J Freedman <sundaymorningklezmer...>
- Subject: Re: Moni Ovadia
- Date: Thu 17 Feb 2000 04.30 (GMT)
Reyzl,
Both cantors and opera performers push their voices, beyond the normal
range of standard vocalization, in song; in duration, range, and volume
of audible sound. Normal song for the most part has a rounded tone.
Cantors and opera performers flatten the tone of their voices to emulate
the tone; set in either trope? or musical script. They see their voices,
as a musician would see a well, tuned instrument; a means to an end. The
opera performer reaches for the composer's written word and fights
against the history of previous performers and performances. The cantor
has a similar goal with the added obligations to eternity. I would say
Moni Ovadia's performance in his cd "Moni Ovadia Theatre Orchestra" shows
influences, from both of these music styles and various other musical
influences.
Jacob
On Wed, 16 Feb 2000 12:08:50 -0500 Reyzl Kalifowicz-Waletzky
<reyzl (at) flash(dot)net> writes:
>Jacob,
>>is similar to that of cantors or opera performers.
>Now please explain what you mean with that
>Please speak engelish.
>Reyzl
>----------
>From: Jacob J Freedman [SMTP:sundaymorningklezmer (at) juno(dot)com]
>Sent: Wednesday, February 16, 2000 8:05 AM
>To: World music from a Jewish slant
>Subject: Re: Moni Ovadia
>
>On Mon, 14 Feb 2000 18:10:06 -0500 Ari Davidow <ari (at) ivritype(dot)com>
>writes:
>
>>I reviewed his first album on the klezmershack. By me, it was a bit
>>overwrought, but you can >read the whole review at
>
>>http://www.klezmershack.com/bands/ovadia/theater/ovadia.theater.html
>
>>ari
>
>I would say rather than describing his music as "overwrought," that
>his musical performance style is similar to that of cantors or opera
>performers.
>
>Jacob
Jacob Freedman -- Host/Producer -- 6:00 to 10:00 a.m. E.S.T | 88.9 FM -
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---------------------- jewish-music (at) shamash(dot)org ---------------------+
- RE: Moni Ovadia,
Reyzl Kalifowicz-Waletzky
- Re: Moni Ovadia,
Jacob J Freedman