RE: musical history of klezmer forms

[Reyzl Kalifowicz-Waletzky <reyzl...>]

Please tell us more about your festival.


Reyzl


 

----------
From:  jonathan walton [SMTP:jaw42 (at) hotmail(dot)com]
Sent:  Monday, February 14, 2000 5:25 PM
To:  World music from a Jewish slant
Subject:  musical history of klezmer forms


Hi there,

I'm in London, helping to organise a Jewish music festival this summer and 
I'd appreciate some guidance from knowledgeable fans to help me where my 
netsearches have failed: to try to work out the relationship between Jewish 
music and 'host' music culture. I know there are some purists who maintain 
there is no pure Jewish music, others who claim that an interpretation of, 
say, a polka by a Jewish or Gypsy fiddler last century would have been by 
default substantially different to one played by a conservatory educated 
establishment musician, therefore Jewish music is to a certain extent 
anything played by a Jew.
My exact question relates to the nature of the relationship between 
traditional Jewish forms like the doina, bulgar, freylakh, etc and the 
Central/East European dances (polka, csardas, tango) alongside which they 
evolved. Any ideas of where to look for help?

Thanks v much,
yours,
Jonathan Walton.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com



---------------------- jewish-music (at) shamash(dot)org ---------------------+