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Re: Bitchin' about the role of percussion in Mideastern in
- From: Paul M. Gifford <PGIFFORD...>
- Subject: Re: Bitchin' about the role of percussion in Mideastern in
- Date: Tue 16 Feb 1999 13.20 (GMT)
Ernie Gruner <erniegru (at) mira(dot)net> wrote:
> My understanding of KLEZMER (east european jewish music - the early stuff
> before it came to america) is that percussion instruments were not strong
> or even present and that the percussion came from the way the instruments
> were played etc.
The buben (large tambourine with a handle) and baraban (bass drum,
with cymbal on top) were quite common. Rimsky-Korsakov, for example,
described a Jewish trio of violin, tsimbaly, and buben, which appeared
in his hometown Tikhvin (in northern Russia, outside the Pale) in the
mid-1850s, and became the fashionable musicians among the landowners.
The same instrumentation still is used in Belarus and Ukraine. I
heard a similar Ukrainian-Canadian trio (but with a drum set instead
of a bass drum) about 20 years ago in Windsor, Ontario----the
percussion definitely is prominent.
Paul Gifford
---------------------- jewish-music (at) shamash(dot)org ---------------------+
- Re: Bitchin' about the role of percussion in Mideastern in,
Paul M. Gifford