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Ukrainian Jewish Culture CD #1 Liner Notes
- From: Sam Weiss <SamWeiss...>
- Subject: Ukrainian Jewish Culture CD #1 Liner Notes
- Date: Thu 29 Jan 2004 19.39 (GMT)
The Ukraine's Vernadsky National Library is the world's foremost repository
of Jewish folk music recorded on Edison wax cylinders. Comprising over one
thousand cylinders with two to seven minutes of music each, the collection
contains historical recordings made from 1912 to 1947 in Jewish areas of
the Ukraine and Belarus. These recordings represent the painstaking work of
two generations of Eastern European Jewish Folklorists and chronicle the
achievements of folk musicians during the Pre- and Post-Revolutionary
periods of Ukrainian history.
The concept of ethnographic expeditions aimed at the collecting these
valuable materials originated with the well-known Jewish folklorist and
writer S.An-sky (pen-name of Shlomo Rappoport) who lived in 1863-1920.
Initiated by the Jewish Historical and Ethnographic Society in St.
Petersburg, and funded by patron of the arts Goratsii Ginsburg, the project
saw its genesis in folkloric expeditions from 1911 to 1914. Besides
S.An-sky, many outstanding representatives of
Jewish culture participated in these expeditions, including Julli
Engel, composer and music expert (1867-1927), Zinovii Kiselhof,
folklorist (1878-1939), and Solomon Judovin, artist (1892-1954), to name
but a few. 1n1912and1913, just prior to World War I, the
expedition managed to explore and ethnographically examine the Voihynian
and Podolian regions, then bring together and classify the enormous and
invaluable collection of data.
The participants in these expeditions were able to execute recordings, on
Edison wax cylinders, of various genres of traditional Jewish music:
wordless chants, instrumental performances, songs and synagogal
liturgies. Today, these recordings make up a virtually inexhaustible source
for approaching the art and traditions of the early twentieth-century
Ashkenasi Jews. The majority of these wax cylinder recordings have been
preserved perfectly up to the present day, adding greatly to the value of
the collection.
After the Revolution, especially in the 1920s and 1930s, the Soviet
authorities seemed to adopt a rather more benevolent stance toward the
eternally persecuted people, and once again, opportunities opened to the
Jewish folklorists to continue the work of their predecessors. The period
saw the organization of the Cabinet for Musical Folklore of the
Ethnographic Section of the Institute for Jewish Culture in
Kyiv, with phonographic archives contributed by numerous ethnographic
expeditions. The expedition work had come to be regular, comprehensive and
wide-ranging, primarily due to the efforts of the prominent
folklorist, Moisei Beregovskii. As well, efforts toward deciphering,
cataloging and archiving the voluminous research material achieved high
standards. Beregovskii and his colleagues visited Kyiv and Odessa,
main centers of Jewish culture in the Ukraine, as well as such diverse
places of Jewish residence in Volhynia, Podolia and the Western Ukraine.
In 1930, the collection of the Ethnographic Section of the Institute for
Jewish Culture in Kyiv was expanded with several valuable contributions.
The Phonographic Archive of the Museum for Jewish History and Ethnography
was transferred to Kyiv; at the same time Julli Engels' daughter presented
the Institute with her father's personal collection of wax cylinders.
In 1936, the Institute was transformed into the Cabinet for Jewish Culture
of the Ukrainian Academy of Sciences, and in 1940, Antonina Kisselhof,
daughter of the late Zinovii Kisselhof, generously donated her father's
private collection of musical records to the Cabinet.
During World War II, the phonographic archives of the Cabinet for Jewish
Culture (as well as the holdings of various other academic institutions)
was evacuated to the city of Ufa in the Urals region. After the war, the
archives were returned to Kyiv and, henceforth, housed at the Vernadsky
National Library of the Ukraine. Unfortunately, the phonographic archives
did not see the light of cultural exposure or research work for almost
fifty years.
In November 1995, Professor Oleksii S. Onyshchenko (Director of the
National Library) and Professor Vjacheslav V. Petrov (Director of the
Institute for Information Recording) undertook a
vast and comprehensive re-recording project, made possible by the advent of
a new breed of audio technology developed by the Institute for Information
Recording. This new technology represents a
nondestructive opto-electronical method of reproducing the original wax
cylinders without physical damage to the delicate and valuable antiques.
The Compact Disc you now hold in your hands is the first experimental CD.
It represents the culmination of many years of work by both folklorists
from days gone by and contemporary recording information engineers. Using
state-of-the-art technology, this recording preserves all of the nuances of
the original performances, and provides the contemporary listener with a
rare and fine glimpse in to the past. We hope you will enjoy this
pioneering audio archives of a rich repository of folkloric heritage.
_____________________________________________________________
Cantor Sam Weiss === Jewish Community Center of Paramus, NJ
_____________________________________________________________
Cantor Sam Weiss === Jewish Community Center of Paramus, NJ
---------------------- jewish-music (at) shamash(dot)org ---------------------+
- Ukrainian Jewish Culture CD #1 Liner Notes,
Sam Weiss