Fwd: EEME 7/2000

[Joel Bresler <jbresler...>]

Dear friends:

I though the Jewish content of this publication might interest some lister's.

Best,

J

>From: "Marin B Marian" <mmbalasa (at) hades(dot)ro>
>Subject: EEME 7/2000
>Date: Tue, 31 Oct 2000 19:17:53 +0200
>
>DEAR COLLEAGUES, FRIENDS AND COLLABORATORS,
>
>this is to inform you that, finally, the 7th volume (2000 issue) of the
>"East European Meetings in Ethnomusicology" has come out. As some of you
>know, this year difficulties were harder, for we lost all reliable sponsors
>- but, eventually, were overcome.
>Perhaps by this time some of you have already received the copies I
>distributed, while some other will have to wait for a little bit more.
>However, please see here the contents, and make your own idea about the
>journal's development.
>
>best regards,
>Marin MB
>mmbalasa (at) hades(dot)ro
>
>EEME 7/2000
>RECUPERATING/RETHINKING  PAST  ISSUES
>Shirish Jain: The Role of Musical Instruments in
>         Shamanic Healing  (p. 3)
>Dimitrina Kaufmann: The Pitch as Body-Movement and Spatial Expression (p.
>10)
>Rouja Neikova: Some Features of Anastenaria/Nestinarstvo and Its Sound in
>Northern Greece (p. 20)
>JEWISH  PARADIGMS
>Gerben Zaagsma: The Klezmorim of Prague: About a
>Jewish Musicians' Guild (p. 41)
>Gisela Suliteanu: On the 'Hascala' Movement and the Traditional Music of
>Jews in Romania (p. 48)
>Philip V. Bohlman: East-West: The Ancient Modernity of Jewish Music (p. 67)
>PARTICULAR  SURVEYS  AND  STANDPOINTS
>Michael Beckerman: Neuro-Nationalism: or Why Can't We All Just Get Along?
>(p. 91)
>Risto Pekka Pennanen: Commercial Recordings and
>Music Research (p. 101)
>Mark Yoffe: Back [Into the] Underground: Russian
>Rock'n'Roll Community in Search of New Adversaries and Identities (p. 105)
>Rajko Mur?ic: Transference and Invention: Punk in a
>Slovene Village of Trate (p. 113)
>CELEBRATING  AN  INSTITUTION
>Marin Marian-Balasa: Romanian Traditional Identity ­ As Searched by The
>Brãiloiu Institute (p. 127)
>Marin Marian-Balasa: Harry Brauner ­ Field Collector, Director, Victim, and
>Love  (p. 183-192).
>



Joel Bresler
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