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[HANASHIR:14640] Why 60s Folk Music (and 50's too) IS relevant
- From: Laura Ferguson <allenderl...>
- Subject: [HANASHIR:14640] Why 60s Folk Music (and 50's too) IS relevant
- Date: Wed 18 Jun 2003 01.54 (GMT)
Maybe the question isn't whether the person who wrote this folk music is
Jewish, BUT rather, which of these pieces expresses Jewish ideas that are
relevant to services or performances of Jewish music.
For example, I think many people would agree that "Blowing in the wind"
fits into certain Jewish settings.... and this could be said about much of
the folk music.
We each need to decide what's appropriate for our setting. This list is
inclusive of many singers & musicians who perform in many different Jewish
related venues. An Israeli folk song can be as secular as an American folk
song, yet often the composers of both are Jewish. Folk songs of any kind
often have messages, eg. "the world is a narrow bridge" vs. "if I had a
hammer ... I'd hammer out the love between my brothers and my
sisters". The language of the song is not the relevant question, but
rather what that song says. When a song is used in a setting where
there is a synergy between the meaning of the song and the meaning of the
event, then it won't matter if the composers language was Hebrew, English
or for that matter, Swahili.
Jewish music has been greatly influenced by folk music, and there is no
reason why this list is not an appropriate place for discussion of the
relationship between American folk music and Jewish folk music.
Lastly, I hope folks will remember to be at least minimally civil, and
preferably decent and kind in their emails. We are here to learn and
share, and this kind of sarcasm has no place on this list.
Laura Ferguson
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