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[HANASHIR:8067] Re: Kol Nidre
- From: Freedabet <Freedabet...>
- Subject: [HANASHIR:8067] Re: Kol Nidre
- Date: Thu 25 Jan 2001 15.25 (GMT)
Of course the Cello is most poignant in this situation, as it comes closest
to the human voice in range and expression.
Michael
-------- REPLY, Original message follows --------
> Date: Thursday, 25-Jan-01 06:50 AM
>
> From: Meris Ruzow \ Internet: (meris (at)
> nycap(dot)rr(dot)com)
> To: Hanashir Mail Server \ Internet: (hanashir (at) shamash(dot)org)
>
> Subject: [HANASHIR:8064] Re: Kol Nidre
>
> Sender: owner-hanashir (at) shamash(dot)org
> Reply-to: hanashir (at) shamash(dot)org
> To: hanashir (at) shamash(dot)org
> We have tried several models from vln/organ duet to string quartet/quintet:
> But everyone's favorite seems to be solo cello unaccompanied. Of course
> this cellist is principal with the Albany Symphony, and her tone and
> musicality is amazing. It is a voice that calls out and touches everyone.
> Meris Ruzow
> meris (at) nycap(dot)rr(dot)com
>
> -----Original Message-----
> From: Fifth Avenue <jbielan (at) pacbell(dot)net>
> To: hanashir (at) shamash(dot)org <hanashir (at) shamash(dot)org>
> Date: Thursday, January 25, 2001 12:00 AM
> Subject: [HANASHIR:8062] RE: Percussion
>
>
> >Thanks Marsha.
> >
> >For the record, we have a violin soloist do a version of "Kol Nidre" prior
> >to singing it. For me personally, the stark sound of a solo string,
> >unaccompanied, effectively sets an extremely effective tone. I'll bet a
> >quartet would sound great, as well. Would love to hear it. Good luck.
> >Jack
> >
> >
> >
> >
> >
>
>
>
>
-------- REPLY, End of original message --------
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- [HANASHIR:8067] Re: Kol Nidre,
Freedabet