Mail Archive sponsored by
Chazzanut Online
jewish-music
Re: kol isha: some perspective?
- From: Robert Cohen <rlcm17...>
- Subject: Re: kol isha: some perspective?
- Date: Sat 12 Jan 2002 22.53 (GMT)
I have two responses to Judith's lament redux:
1) I posted as web link to Rabbi Berman's article, once it became available
(and, as I mentioned, I kept nagging until it *became* available!) because
it reflects how un-hard-and-fast this halacha is; how poorly grounded in
historical halachic development--though that may not be a fair rendition of
Rabbi Berman's teaching; and how variable it is, surely, in interpretation.
I wish it were more widely distributed in the Orthodox world--and,
specifically, among those who feel governed and restricted by kol isha
restrictions. Perhaps a few--even if not many--would rethink their
objection or apply it in more limited contexts.
2) That being said--and I'm not going to restate, at any length, my own
dubious views about this halacha and my own considerable support for Jewish
women's music; I regret these obstacles continually being put, apparently,
in Judith's musical and professional path--I think it's gratuitously
disrespectful to refer to men's, or rabbis', observing what they believe are
the restrictions mandated by kol isha because they doubt their "internal
strength or moral fibre" or their ability to withstand "succumbing to base
impulses." Neither has anything to do with why most Orthodox men who
observe the kol isha restrictions as they understand them, observe them.
They observe them, pure and simple, because they feel obligated to--in
accordance with a structure of obligations which governs their entire
life-style.
Don't judge another without putting yourself in their place.
--Robert Cohen
_________________________________________________________________
MSN Photos is the easiest way to share and print your photos:
http://photos.msn.com/support/worldwide.aspx
---------------------- jewish-music (at) shamash(dot)org ---------------------+
- Re: kol isha: some perspective?,
Robert Cohen