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here's report on Ofra Haza's death
- From: KLEZMER313 <KLEZMER313...>
- Subject: here's report on Ofra Haza's death
- Date: Thu 24 Feb 2000 04.12 (GMT)
Singer Ofra Haza Dies at 41
By RON KAMPEAS
.c The Associated Press
JERUSALEM (AP) - Ofra Haza, who melded ancient Yemenite Jewish devotional
poetry with 1980s techno music to become Israel's first international pop
music success, died Wednesday. She was 41.
Haza, who was admitted to Tel Hashomer hospital in Tel Aviv 13 days ago, died
of massive organ failure, Dr. Zeev Rortenstein said. He refused to say why
she was hospitalized or what led to the organ failure, saying that was her
wish.
Haza, the youngest of nine siblings in a Yemenite Jewish family who lived in
the Hatikvah slum of Tel Aviv, was discovered at age 12 by a talent scout.
She attributed her full-throated voice to singing at home with her mother. By
the time she was 19, she was a bubble gum pop success.
``She was Israel's first female pop idol,'' said Benny Dudkevitch, Israel
radio's pop music editor.
Her signature song was the defiant 1979 hit, ``The Tart's Song,'' a
celebration of being everything - funny, flirtatious, consumerist - a young
woman of the time was not supposed to be, with the chorus declaring, ``I
wanna shout out loud, `I'm a tart!'''
Later in her career, Haza was among the artists who distanced themselves from
efforts to consolidate an ``Israeli'' sound and delved into their parents'
ethnic roots.
``Yemenite Songs,'' released in 1985 with a photo of her in full Yemenite
wedding gear on the cover, was an instant Israeli hit.
Its signature track, ``Im Ninalu,'' (``If the Gates of Heaven were Locked'')
expanded a devotional poem by 17th century rabbi Shalom Shabazi into a modern
love song. The melody was pure Persian Gulf, a climactic assemblage of rising
quarter tones; the beat was pure 1980s drum machine.
But it was not until 1988, when American rap artists Eric B. and Rakim
sampled ``Im Ninalu'' on their dance hit ``Paid in Full,'' that Haza became
an international phenomenon.
A savvy self-promoter, she rereleased ``Im Ninalu'' worldwide with English
lyrics. It was an outstanding success.
The rerelease of ``Yemenite Songs,'' and her next album, ``Shaday,'' brought
her worldwide attention - suddenly Ofra Haza was the byword for world music.
Reviewers would describe other ethnic music phenomenons as ``the Bulgarian
Ofra Haza'' or ``the Indian Ofra Haza.''
``For audiences in Europe and the Far East, this was something completely
new,'' Dudkevitch said. ``In Germany alone, it was selling 15,000 copies a
day.''
Haza's insistence on privacy only stoked the Israeli public's interest in her
life. She made headlines in 1987 when she survived a small airplane crash.
She kept her marriage two years ago to businessman Doron Ashkenazi out of the
public eye.
After a flush of attention that lasted into the early 1990s, her fame
receded, although she continued to make high-profile appearances. She
performed in Oslo when Prime Minister Yitzhak Rabin, Foreign Minister Shimon
Peres and Palestinian leader Yasser Arafat won the Nobel Peace Prize in 1994,
and she sang the role of Moses' mother in the 1998 film ``The Prince of
Egypt.''
In Haza's last days, fans gathered at the hospital, anxious for word of her
recovery. After her death was announced, Israeli radio stations switched to
retrospectives of her music.
Prime Minister Ehud Barak said she represented the Israeli success story.
``Ofra emerged from the Hatikvah slums to reach the peak of Israeli
culture,'' he said. ``She has left a mark on us all.''
There was no word on funeral arrangements, or information about survivors
other than her husband.
---------------------- jewish-music (at) shamash(dot)org ---------------------+
- here's report on Ofra Haza's death,
KLEZMER313