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[HANASHIR:4068] copyrights & midi
- From: Erik L. F. Contzius <contzius...>
- Subject: [HANASHIR:4068] copyrights & midi
- Date: Sat 02 Oct 1999 09.34 (GMT)
I did just a little cursorial homework. herre's what i found:
from:
http://www.ifni.com/midi/midicopyright.html
Ifni MIDI Music Copyright FAQ
Copyright and music license laws apply to MIDI music just as they
do to recordings and radio air-play. The following general
information is based on my knowledge and understanding,
however I am not a lawyer and make no claim as to its accuracy.
If you plan on using music in any commercial enterprise please
consult a lawyer experienced in the entertainment industry.
How do I file?
If you're a composer or performer in the US visit the official
federal copyright office for
forms, instructions and general information about the copyright
process.
What is a music copyright?
Music copyrights can be broken down into two main categories: the
rights of the composer
and the rights of the recording artist, or performer. Composers
earn royalties when a song is
played; composers and performers both earn royalites when a
recording is sold. These rights
are generally enforced by music publishers for the composer and
by record companies for
the performer.
Who controls Performer's rights?
Some MIDI songs have the recording artist's name embedded in
them, but in many cases the
performer is unknown. Almost all musicians who record MIDI songs
place their
performance in the public domain or give it away free, subject
only to the condition that it
not be sold.
Who controls Composer's rights?
The people who wrote the song. This information is almost always
included in commercial
recordings, but is not usually found in MIDI songs. BMI and ASCAP
represent composers
and collect license fees for playing music, whether on the radio,
in a jukebox or over the
internet. Both companies maintain on-line databases with song
titles and composers' names.
Music publishers represent composers to collect royalties when
recordings are sold.
What rights does a Composer have?
First and foremost composers must be paid when songs are played
or recordings are sold.
Composers also control the use of their music in dramatic
performances. For example, if you
wish to include a song in a movie or commercial you must first
request permission from the
music publisher.
Can I use MIDI music on my web site?
Yes, if you have permission. In some cases, such as the
Songwriter Showcase, the composer
directly grants permission to play a song without charge. You can
also negotiate a one-time
fee with a songwriter for the rights to play a song. However most
songwriters have
contracted with BMI or ASCAP to collect license fees for public
performances of their
music.
How much are the license fees?
The minimum charge for playing music from the ASCAP repertory is
$250 per year. The
minimum charge for playing music from the BMI repertory is $500
per year. If your site
makes a substantial income from commercial advertisements or
membership fees then
additional charges might apply. ASCAP, for example, charges
1.615% of revenues or $250
whichever is greater. These amounts are for 1999 licenses and may
increase in the future.
Do most web sites pay music license fees?
Unfortunately for songwriters, the answer today is no.
Why should I pay music license fees?
Because songwriters deserve to be paid for their work. There
could also be substantial
penalties for violating copyright law. The internet was ignored
for several years by music
publishers and licensing agencies, however this is changing rapidly.
Who should I pay?
If you are only using one or two songs, verify which company
collects license fees. For
example "Norwegian Wood" by Lennon-McCartney is in the BMI
catalog and "Axel F" by
Harold Faltermeyer is in the ASCAP catalog. The Ifni MIDI Music
site includes songs from
both catalogs and pays license fees to both BMI and ASCAP. Please
visit their web sites for
specific information regarding internet licensing terms.
Copyright ©1999 by Ifni
Last update 1 October 1999
--------------------------------
from
http://www.midi.org/smfrept1.htm
MIDI Manufacturers Association
MIDI File Copyright & Licensing Report (January 1997)
Introduction
The MIDI File Copyright & Licensing Report explains current US copyright
law and how it applies to MIDI files, and describes the issues which music
rights-holders (publishers and artists) and SMF developers must address in
order to grow the US SMF market.
Authored by Brian Ward (MMA Special Counsel for Intellectual Property) the
report summarizes the phase-one efforts of the MMA's SMF Copyright &
Licensing Committee, which was formed to discover and report on current
market dynamics which restrict the sale of SMF disks in the US (compared to
other regions such as Europe and Japan). The report is important reading
for anyone involved in developing MIDI files for commercial distribution.
Document Contents
Executive Summary:
Copyright
Recognition and Protection
Compulsory Licensing
Licensing
Publisher Issues
Background - Copyright Law:
Categories of Works of Authorship
Works of Authorship vs Mediums or Material Objects
Works Must Be Fixed
Musical Works, Sound Recordings, and Derivative Works
Exclusive Rights in Copyrighted Works
Rights of Musical Works Owners
The Reproduction Right
The Compulsory License
History
Limitations of the License
License Procedure
Effect on the License of the Digital Performance Right
in Sound Recordings Act
The Bottom Line
Royalties--Digital Transmissions
The Distribution Right
The Display Right
The Performance Right
Rights of Sound Recording Owners
The Reproduction Right
The Distribution Right
The Performance Right
Definitions
Nonsubscription Transmissions Exempt
Compulsory License for Subscription Transmissions
Interactive Services Get No Breaks
The Bottom Line
Copyright Activities
Importance of Recognition and Protection
Our Activities
The Importance of Classification as Sound Recordings
Licensing Activities
Objective
Summary of Publishers' Fears and Concerns
Other Information
License Fees
Lyrics:
Print Music:
Mechanical Licenses:
Electrical Transcription License:
Synchronization Licenses:
Videogram Licenses:
MIDI Licenses:
Online Usage Licensing Issues
Ordering Information
The 25 page, spiral bound, MIDI File Copyright & Licensing Report can be
purchased directly from the MMA for $99.95, plus postage (listed below).
We accept VISA, MasterCard, International Money Orders or Bank Drafts drawn
and payable on US banks. We can not accept foreign currency or drafts which
are not negotiable on a US bank. If paying by credit card you must include
your card expiration date, residence phone number, and signature with your
order.
We ship all orders by US Air Mail. There is no charge for shipping in North
America. All other locations please add the following for shipping charges:
Europe: US$4.00 per book
Asia/Africa: US$5.00 per book
Pacific Rim: US$6.00 per book
All Others Outside of North America: US$3.00 per book
Send payment to:
MMA, PO Box 3173, La Habra, CA 90632-3173
Credit card (MasterCard and Visa only) orders can also be faxed to (714)
736-9775.
erik l. f. contzius
contzius (at) home(dot)com
elkins park, pa
http://members.home.com/contzius/
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- [HANASHIR:4068] copyrights & midi,
Erik L. F. Contzius