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[HANASHIR:14722] Re: secular music
- From: Ruth Levenstein <RuthEllen...>
- Subject: [HANASHIR:14722] Re: secular music
- Date: Sun 22 Jun 2003 13.47 (GMT)
> I have to disagree with your comment about "letting the exchange become
> mired in feelings of insecurity and superiority." I don't see that as
> an issue and am not sure what your point is.
> Meris Ruzow
I am happy to explain.
As American Jews we can feel insecure about our Jewish practices and
feel that whatever Israeli's do is more authentic - that one cannot be
fully Jewish except in Israel. (a traditional position)
OR American Jews can feel superior to the majority secular population in
Israel who don't really 'think' about their beliefs and who get their
Judaism only because they happen to live in Israel - who don't attend
services expect to be married, buried or barmitzvahed. We can feel
superior by agonizing over all the political issues in Israel such as
'who is a Jew' 'the peace process' 'jewish religious pluralism' or
'woman's roles and rights in Judaism.'
Likewise Israeli's often feel that Judaism in the US is an odd fake kind
of Judaism that is not much different than Christianity. OR that
intermarriage, patrilineal decent, and gay and lesbian
commitment ceremonies have distorted Judaism beyond recognition in the
US. (There is MUCH misinformation and half truths about these things.)
OR that American Jews ignore Shavuot, dietary laws, Shabbat observance
and Israel.
OR Israeli's can be angry over 'religious coercion' in their country and
envious of American freedoms to be married and buried where and how one
wants - Many are very cynical about the Israeli political process that
gives power to a small religious minority and angry that these ultra
religious Jews are exempt from army service and that some are living off
of state funds.
My point is that we have to accept that we are two DIFFERENT Jewish
cultures and that both have their good points and their problems and
that healthy exchanges go both directions. Sure, we should learn about
Lag B'Omer but they should learn about Hava Nashira, Debbie Friedman,
and the renaissance in American Jewish Folk music that has been going on
for the last ten or fifteen years.
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