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[HANASHIR:6899] In re "recorded music"
- From: Burton A. Zipser <zipmusic...>
- Subject: [HANASHIR:6899] In re "recorded music"
- Date: Thu 14 Sep 2000 19.51 (GMT)
One of the mysteries of late 20th century music is the fact that a
certain level of musical literacy is not considered important any
more. This comment may offend those among us who painstakingly
create melodies and create songs for which guitar chords are used for
accompaniment purposes, often played with great agility and dexterity
by the practicioners of this form of music-making. I do not
denigrate their efforts because they serve a valuable service in
bringing music to a larger public. (For the successful ones, I also
envy the size of their bank accounts.) However, some of us fall into
the category which may be described as "traditional" musicians, which
means that we can take blobs of ink which have been printed on a
five-line staff and convert those blobs into sound. Furthermore, we
can take the chord symbols printed above the notes and reproduce
sounds, not only on a guitar, but also on pianos, organs, and even
re-interpret them for instrumental and vocal groups of singers and
instrumentalists.
What Rabbi Schachet and I ask of those who are willing to
present their music to a public which may be eager to reproduce that
music for personal joy and utilization, is that the creators of that
musical genre at least find a way to transfer their "creations" to a
paper form, in which the notes of the melody are notated in some
manner and for which some kind of chord symbols are used to indicate
the harmony. The melodic part is very easy, since a variety of very
servicable software now exist which will allow someone to sing (using
a neutral syllable) or play a single note melody on any melodic
instrument, and the notes will magically appear on a computer screen
(in either Mac or Windows format) to which the words and chord
symbols can be printed above and below the notes, and then a printout
of the result can be made. The composer can then provide this
document to their friends or even (imagine this!) sell the result to
the public! For those who do not know what chords they are playing,
it is possible to find chord dictionaries which will answer that
conundrum.
Unless there are some song creators who create their songs
for altruistic reasons, this may solve the recurring questions of
"how can I get a copy of so-and-so's song which I heard at ......".
Please contact me individually (by e-mail) and I will be happy to
provide you with the place to go to obtain the software, and I do NOT
get a penny for such referrals.
As a footnote, a group of us are in the process of creating a
music curriculum for use in all types of Jewish schools. If some of
those who create Jewish music have compositions which have been
deemed valuable for educational purposes, please note that we won't
be recommending such tunes unless there is a written version of the
song. (After all, congregational musicians have enough problems
already!)
Regards, Burton A. Zipser, Director, Intl. Archive of Jewish Music
------------------------ hanashir (at) shamash(dot)org -----------------------+
- [HANASHIR:6899] In re "recorded music",
Burton A. Zipser