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[HANASHIR:6315] Re: solo singing
- From: ItaSara <ItaSara...>
- Subject: [HANASHIR:6315] Re: solo singing
- Date: Mon 19 Jun 2000 23.37 (GMT)
Thank you all for your comments. They have been very helpful. I didn’t mean
for this to turn into a discussion of Jewish vs non Jewish singers although
it is a related issue. I am more concerned presently on your opinions about
a place for solos (in addition to the cantor soloist or cantor role) on a
regular basis for temple volunteers who feel they want to contribute in that
way. I am well aware that there are no simple answers, but it is interesting
and helpful to what other Reform sysnagogues do in this regard and how some
of the pros and cons I originally mentioned are handled in different
situations. I’ll repeat my original letter below. Thank you.
<<I would be interested to hear how you feel about talented congregational
singers having the opporunity to have solo parts during a service or hiring
professional singers.
This has been an ongoing point of controversy for a a long time at the
synagogue where I sub for our cantorial soloist (a paying position) and sing
every Shabbat morning as a volunteer choir member. Although we now have a
part time cantorial soloist, the issues were present when we had a full time
cantor. There are pros and cons to both sides of the issue. We have made
changes over the years that I would consider improvements from hiring only
non-Jewish professionals in the past to the present where most of us are
volunteers.
Here are some of the points involved involving two related issues. What are
your thoughts?
Pros for more solo opportunities and/or hiring professionals:
1. Singers like to have the opportunity to express themselves in song.
2. Singers feel spiritually moved to be part of the service by participating
with
a solo, just as congregational members participate in readings; an outlet
for
lay participation and lay/clergy cooperation.
3. It adds some individuality to the service.
4. Some congregants are proud to have fellow congregants participate in this
way
5. It’s an opportunity for singers to learn music as well as introduce other
Jewish music to the congregants and to the service. Some choir members have
a fairly
good background in Jewish music and can
6. In a musical community like the one I live it, often Jewish singers
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after week by the same person and in the same way. Some congregants welcome
change others don’t.
9. With more opportunties, we could attract better singers and even
musically gifted high school congregants and (with pay, which is
a separate issue) more consistency as to how many singers show up
everyweek and the quality of music might be higher or at least varied.
Many singers who have such opportunities in the church setting go on to
have musical careers. In a time when we would like to keep Jews in Judaism
and not in secularism, musical opportunites might be one way.
Cons to solo singers and/or professionals:
1. The cantor or cantor soloist is paid to lead the congregation, the choir
is backup
and represents the congregation.
2. Some volunteers want to sing solo, but they really don’t sing well.
3. Congregational volunteers who are good singers resent it when
professionals are
hired to sing the same music, and professionals usually expect and do get
solos
(whether Jewish or not).
4. Some congregants only want to hear a cantor or cantor soloist and see no
reason
for a choir at all or for individual solos.
5. oneupmanship and resentment occur between choir members and between choir
members and clergy and between choir members who volunteer and choir
members who are paid (depending on the circumstances.)
6. Focus is lost with solo parts so the service becomes more of a
performance and
less consistent. (although the individual singer may want to perform, I
don’t
myself feel that the result is a performance.)
>>
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- [HANASHIR:6315] Re: solo singing,
ItaSara